Crying Nature — A War of No Winners by Barry Xu

Crying Nature — A War of No Winners by Barry Xu

(via the-ravens-cupboard)

Alexander McQueen S/S 12

Alexander McQueen S/S 12

(via nicolas-marcs)

Romantic Exotism

In Romantic Exoticism, we wanted very much to give the idea of a music box, so we used mirrors to give an idea of infinity and also redundant turntables. McQueen often looked for inspiration not only in the distant past but also in other cultures, particularly China or in Japan. McQueen loved embroidery and Japan and China were two cultures that excelled, as in India, another great influence in McQueen’s career. 

Voss is a collection that featured exoticize garments very heavily, you see two examples here in the patchwork that gives the impression of chrysanthemums of flowers associated with the east, particularly Japan. Voss was a collection staged with a box within a box, with a two-way mirror. The finale of the collection was a small box within the larger box of the wall crashing down revealing a naked lady with moths fluttering around inspired by a photograph by Joel Peter Witkin, entitled ‘Sanitarium’.

                             -Andrew Bolton

(Source: hautekills, via nicolas-marcs)

dolorosa-reveries.blogspot.com
Joseph Apoux
Active 1880-1910 Especially renowned for his risqué and titillating etchings. His rather pornographic “alphabet” (circa 1880) is particularly noteworthy. Took part in the L’Exposition Internationale de Blanc et Noir in 1886. 
This group of striking images dates to just before the turn of the century  and is typical of the “fin de siecle” aesthetic preoccupations with sex, death and the bizarre.

dolorosa-reveries.blogspot.com

Joseph Apoux

Active 1880-1910 Especially renowned for his risqué and titillating etchings. His rather pornographic “alphabet” (circa 1880) is particularly noteworthy. Took part in the L’Exposition Internationale de Blanc et Noir in 1886.
This group of striking images dates to just before the turn of the century and is typical of the “fin de siecle” aesthetic preoccupations with sex, death and the bizarre.

(via 2headedsnake)

GLASS LIKE WATER: AERIAL BY BAPTISTE DEBOMBOURG

(Source: sveltst, via keedenmonster)

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